The purchase of season tickets give you extraordinary value. In addition to admission to each of our four concerts, each season ticket holder will be given a "bonus ticket" which can be used to invite a friend to one of our concerts (Valentine's Concert and MSO Concert excluded) at no extra charge! Individual tickets can be purchased at the door.
Adult single admission - $12.
Senior single admission - $10
Students (with ID) are admitted for free.
Season tickets:
Adult - $40
Pair Adult - $72
Senior - $32
To download and print a Season Ticket order form click here.
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Our 2009-2010 Season Schedule:
"Psalms, Hymns, and Spirituals"
Saturday, October 24, 2009
7:30 P.M. First Presbyterian Church
Masterworks Chorale begins its season with a celebration of sacred choral music. Taking its title from Ephesians 5: 19, this concert will feature famous psalm settings, hymn arrangements, and African-American spirituals, as well as solo performances by members of Masterworks Chorale.
"Rejoice Greatly!" with special guest Kathleen Hacker, soprano
Sunday, December 20, 2009
6:00 P.M. First Presbyterian Church
Nationally renowned soprano Kathleen Hacker joins Masterworks Chorale and orchestra for an entrancing evening of holiday singing. The Chorale will perform selections from G. F. Handel's Messiah as well as many familiar carols and Christmas favorites.
"My Funny Valentine"
Saturday, February 13, 2010
Sunday, February 14, 2010
7:30 P.M. Ball State Alumni Center
Come celebrate the lighter side of love with Masterworks Chorale's annual Valentines dinner! Special guest artist Shawn Salmon joins the Chorale in a performance of favorites both old and new.
Dinner served at 6:30 P.M. Reservations required.
"Songs of Love - Brahms' Liebeslieder Waltzes"
Sunday, May 2, 2010
4:00 P.M. First Presbyterian Church
Our season finale is a performance of two of Johnannes Brahms' most endearing compositions. Masterworks Chorale will perform Brahms' Liebeslieder Walzer, Op. 52, and Neue Liebeslieder Walzer, Op. 65 - two brilliant and charming folk song settings for singers and four-hand piano. The beauty of these two works is undeniable, and Brahms' sensitivity to the text is an art unto itself.
